But with the opening of the door she encountered a shock, though for an instant she couldn't have named it; the next moment she saw it was given her by the face of the man advancing to let her out, an old lame porter of the station, who had been there in Mrs. Gereth's time and who now recognized her. He looked up at her so hard that she took an alarm and before alighting broke out to him: "They've come back?" She had a confused, absurd sense that even he would know that in this case she mustn't be there. He hesitated, and in the few seconds her alarm had completely changed its ground: it seemed to leap, with her quick jump from the carriage, to the ground that was that of his stare at her. "Smoke?" She was on the platform with her frightened sniff: it had taken her a minute to become aware of an extraordinary smell. The air was full of it, and there were already heads at the window of the train, looking out at something she couldn't see. Some one, the only other passenger, had got out of another carriage, and the old porter hobbled off to close his door. The smoke was in her eyes, but she saw the station-master, from the end of the platform, recognize her too and come straight to her. He brought her a finer shade of surprise than the porter, and while he was coming she heard a voice at a window of the train say that something was "a good bit off—a mile from the town." That was just what Poynton was. Then her heart stood still at the white wonder in the station-master's face. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"!

"It has lasted long enough for my purpose. There was something I wanted to know, but I think I know it now." Owen's legs, not to mention his voice, had wavered while he spoke, and she felt his possession of her hand loosen so that she was free again. Her stare of perception broke into a lively laugh. "Oh, you're all right, for you will get them. You will; you're quite safe; don't worry!" She fell back into the house with her hand on the door. "Good-bye, good-bye." She repeated it several times, laughing bravely, quite waving him away and, as he didn't move and save that he was on the other side of it, closing the door in his face quite as he had closed that of the drawing-room in hers. Never had a face, never at least had such a handsome one, been so presented to that offense. She even held the door a minute, lest he should try to come in again. At last, as she heard nothing, she made a dash for the stairs and ran up.

"I can't tell you what they were, but they were powerful. She knew how," said Mrs. Gereth. "And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she." "What do you call the open, Mrs. Gereth?" Fleda demanded. Then as the other faltered: "Do you know where Mr. Owen is to-day?"